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剧情介绍
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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.小草影院韩国电影神马影院光棍影院星空影院很高兴遇见·你铁血刚拳盒乐不为接线员黑暗之地山里的人生活不幸的女人赶尸先生冒牌上流骨未成灰赌金君贺奇遇记女巫2024：土耳其版骨肉相连街头绝味 亚洲篇彷徨之刃 2024比利小子第一季三人行必有我妹无名者2016异次元爱情故跳水男孩真正胜负我能看见成功率小幸福房客与妈妈亨德逊夫人敬献太平间的驼背者英雄无侠暗战2013贺顿的小可乐
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.小草影院韩国电影神马影院光棍影院星空影院很高兴遇见·你铁血刚拳盒乐不为接线员黑暗之地山里的人生活不幸的女人赶尸先生冒牌上流骨未成灰赌金君贺奇遇记女巫2024：土耳其版骨肉相连街头绝味 亚洲篇彷徨之刃 2024比利小子第一季三人行必有我妹无名者2016异次元爱情故跳水男孩真正胜负我能看见成功率小幸福房客与妈妈亨德逊夫人敬献太平间的驼背者英雄无侠暗战2013贺顿的小可乐