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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.小草影院韩国电影神马影院光棍影院星空影院奇妙的时光之旅美味的校餐 剧场版2地牢围攻3谁是掌镜人：越战经典照片之谜暴疯语血腥的修女2：诅咒非诚勿扰3色彩中国黑道兄弟2025杨门女将1960第七谎言飞鸿笑传之黑蝙蝠三尖树时代痛苦宝贝求生极乐号西贡日落灯笼遇见混乱第二季我喜欢你喜欢我一次失误随我婆娑警察锅哥第二季柳堡的女人们黄飞鸿少林拳粤语马里布录像带雪国少年悲情城市唐顿庄园 第五季闪烁的西瓜变性切尔西
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.小草影院韩国电影神马影院光棍影院星空影院奇妙的时光之旅美味的校餐 剧场版2地牢围攻3谁是掌镜人：越战经典照片之谜暴疯语血腥的修女2：诅咒非诚勿扰3色彩中国黑道兄弟2025杨门女将1960第七谎言飞鸿笑传之黑蝙蝠三尖树时代痛苦宝贝求生极乐号西贡日落灯笼遇见混乱第二季我喜欢你喜欢我一次失误随我婆娑警察锅哥第二季柳堡的女人们黄飞鸿少林拳粤语马里布录像带雪国少年悲情城市唐顿庄园 第五季闪烁的西瓜变性切尔西