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After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
小草影院韩国电影神马影院光棍影院星空影院疯狂主妇再见，江成君糖果妈咪残缺不全坐在酒吧里吃蛋糕机票情缘新半斤八两三个未婚妈妈造梦游戏射雕英雄传之降龙十八掌启示2:火海地狱来的芳邻七夜客栈走出真相赌城绝杀耶稣音乐意图谋杀绑定寄宿学校之六少年残雪1980青谷子选个家来爱混沌少年时第一季体育皇后1961恋爱刺客猛尸镇金衣大侠家庭负担黑死病第一季蓝风筝1993
After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
小草影院韩国电影神马影院光棍影院星空影院疯狂主妇再见，江成君糖果妈咪残缺不全坐在酒吧里吃蛋糕机票情缘新半斤八两三个未婚妈妈造梦游戏射雕英雄传之降龙十八掌启示2:火海地狱来的芳邻七夜客栈走出真相赌城绝杀耶稣音乐意图谋杀绑定寄宿学校之六少年残雪1980青谷子选个家来爱混沌少年时第一季体育皇后1961恋爱刺客猛尸镇金衣大侠家庭负担黑死病第一季蓝风筝1993